What is the meaning of gyotaku?

Gyotaku is a traditional form of Japanese art that began over 100 years ago as a way for fishermen to keep a record of the fish they caught. They would apply sumi ink to one side of a freshly caught fish, then cover the fish with rice paper and rub to create an exact image of the fish.

How is gyotaku done?

The basics of gyotaku are simple: Take a newly dead fish and paint it on one side. Then take a piece of fabric, rice paper or even a T-shirt, and place it on the painted side of the fish, and rub the material so that the paint is transferred to the material. Remove the material from the fish and—voilà!

Who started gyotaku?

Artist Naoki Hayashi
Gyotaku is created by pressing rice paper onto a fish covered with ink or paint. Artist Naoki Hayashi began making gyotaku prints at age 11.

What kind of paper is used for gyotaku?

Yasutomo’s Shuji Gami Kozo rice paper is a traditional kozo (mulberry fiber) paper that doesn’t shrink or tear easily, making it ideal for woodblock, fish rubbing or line printing.

Where did gyotaku originate?

Fishing for fine art: Gyotaku, the art of making inked prints from real fish, originated in 19th century Japan.

Can you eat the fish after gyotaku?

SIX STEPS TO FISH PRINTS Used by Japanese anglers in the 1800s as a way to record the size and species of their catch before the haul was sent to the fishmonger, gyotaku (gee-oh-tak-oo) is a fast growing activity evolved into an art. Using water-based paints or ink, fish can be washed and eaten after print making.

Who owns gyotaku?

Tom Jones is the owner of Gyotaku Japanese Restaurant chain on O’ahu. He spent two years in Tokyo as a sushi apprentice before opening his popular eatery in 2001.

Can you eat a fish after gyotaku?

Why is gyotaku considered a form of art?

A gyotaku is a print made with a fish and it’s a Japanese art form. A print is artwork made by leaving an impression of an object or image on a surface like paper. In gyotaku, the image is created with a fish. The method developed in the 19th century with fisherman documenting trophy catches.

When did gyotaku start?

Gyotaku has been around since the mid-19th century. It began as a method of documentation. Before cameras were invented, fishermen made impressions of fish they caught to provide a record of trophy catches.

When did Eye details and other embellishments start showing up on gyotaku?

In the mid-1800s, fishermen began to add eye details and other embellishments, giving rise to a unique artform. Today Gyotaku has grown to capture other marine life, seaweed, leaves and plant material too.

What is a Fishprint?

fishprint. defined as the area of ocean needed to sustain the fish consumption of an average person, a nation, or the world. commercial extinction.

What is fish rubbing?

Fish rubbing or ‘Gyotaku’ is a printing technique invented by Japanese fishermen in the early nineteenth century to record the size of their catch. By inking the fish and printing it onto fine Japanese paper, the intricate markings and texture of the fish can be captured forever.

What is fish flashing?

Flashing is a behavior fish utilize to itch their bodies, most commonly associated with parasitic infections. Since they do not have arms or fingernails, they must use objects in their environment to scratch themselves.

What is gyotaku?

Gyotaku is created by pressing rice paper onto a fish covered with ink or paint. Artist Naoki Hayashi began making gyotaku prints at age 11. Since then he has refined and mastered his unique gyotaku process. Each of Naoki’s gyotaku pieces is created using non-toxic acrylic paints and Japanese shoji paper.

What are the Gyu-Kaku Hawaii locations?

Our locations in Kalihi, Windward Mall, Kapolei, and Mililani locations are open for dine-in and offering to-go/take out service. Hours of operation are subject to change. Gyu-Kaku Hawaii is looking for new team members.

What is transfer gyotaku?

Tensha-ho, or transfer gyotaku, is a lesser known and used technique. It was developed when the objective of the printing was to create the image on a hard surface such as wood, leather, plastic or even the wall of a dwelling.