How does Christopher feel on the train?

Christopher is in the train station trying to find his way through the crowd of people. It is a very scary situation for him, he describes it as “standing on a cliff in a really strong wind”. He feels sick and wants to fall to the ground, but he knows he needs to stay upright, so he grabs hold of a sign.

How does Christopher eventually manage to get on the train?

After the policeman points him to the ticket window, Christopher purchases a one-way ticket to London. To get to the train platform he has to go through the underpass again. This time he imagines a big red line stretching across the floor to his destination.

What is the significance of the train photo to Christopher’s Mother?

What is the significance of the train photo to Christopher’s mother? She remembers how much fun Christopher had with the trains.

Where does Christopher hide on the train?

Christopher is still on the train hiding behind a piece of luggage, on a shelf beside the bathroom. He is trying to decide when he should get off the train.

What does the stranger help the narrator do before getting on the train?

What does the stranger help the narrator do before getting on the train? Helps Chris get money. How much money did the narrator take out of the bank machine at the train station? Why does the narrator like timetables?

Why does Christopher have such difficulty with new places like the train station?

Why does Christopher typically avoid new places? He is aware of everything, new places overwhelm him and overload his brain.

Who calls out Christopher’s name on the train station?

the policeman
There are a lot of people on the train. Ugh, no one likes a crowded train – especially Christopher. Suddenly, he hears someone call his name: it’s the policeman from the station.

Why did the narrator feel giddy and sick at the train station?

1. Why did the narrator feel giddy and sick at the train station? There were lots of people entering and exiting the tunnel.

What fear does the narrator overcome while trying to solve the mystery of the dogs death?

What fear does the narrator overcome while trying to solve the mystery of the dog’s death? Which of the following is not one of the three reasons the narrator deduces for killing a dog? Being afraid of the dog. At the end of Chapter 67, who does the narrator think killed the dog?

Why does Christopher not think anymore that he can be an astronaut?

He makes a mental picture of each of the possibilities, mentally crossing out each one that won’t work. What makes Christopher realize he could never be an astronaut? Knowing how the thought of even going 100 miles to London pains him, he knows he could never go as far as outer space.

When Christopher found out that his mother was in the hospital what did he want to do for her?

When he returned, he told Christopher that Mother was in the hospital because of a heart problem and that Christopher wouldn’t be able to visit. Christopher decided to make her a get-well card, and Father promised to bring it to her the next day.

Who killed Wellington in curious incident of dog?

After a bath, Father dries Christopher off and puts him in bed. Father apologizes for lying about Mother and keeping the letters from Christopher. He doesn’t want any more lies between them, so he confesses to killing Wellington. He explains how upset he was when Mother left him.

What secret does Mrs Alexander tell Christopher?

Alexander forges a bond with Christopher by revealing two very powerful and painful truths: His mother is not dead, and she was having an affair with Mr. Shears.

How does Christopher react to the dogs death?

The dog is dead and Christopher is upset at the sight of the dog, who he likes, so he picks up the dog to cradle him in his arms. Mrs.

How does his Father feel about Christopher trying to solve the mystery of Wellington?

It was not a lie to Christopher. How does Christopher’s father feel about his trying to solve the mystery of Wellington? He keeps telling him that he should mind his own business, but Christopher keeps worrying for Wellington’s death, so Christopher’s father honks the car and yells at him.

Why does Christopher decide to find out who killed the dog?

Because of his fondness for Mrs. Shears and his desire to find out who killed Wellington, Christopher decides to find out more about Mr. Shears. Christopher goes to a school for children with special needs, but he thinks all the other children there are stupid.

What chapter does Christopher find out who killed Wellington?

Summary: Chapter 167 Father apologizes for lying about Mother and keeping the letters from Christopher. He doesn’t want any more lies between them, so he confesses to killing Wellington.

Why does Christopher hit his Father?

After some more yelling, he grabs Christopher roughly by the arm, something he’s never done before. (Christopher says his mother used to hit him sometimes, but his father is more patient than she was.) Christopher doesn’t like being grabbed, so he starts hitting his father.

How was the Curious Incident of the dog in the night-time adapted?

Mark Haddon’s The Curious Incident of the Dog in the Night-Time was adapted into a play by Simon Stephens. A number of factors should be considered when casting, performing and staging the production.

How do you track themes in the Curious Incident of the dog?

LitCharts assigns a color and icon to each theme in The Curious Incident of the Dog in the Night-Time, which you can use to track the themes throughout the work. Sitting in the station, Christopher keeps his eyes closed.

What happens in chapter 181 of the Curious Incident of the dog?

The Curious Incident of the Dog in the Night-time Summary: Chapter 181 Christopher explains that he must memorize every physical detail of his environment. In places he has already visited he can simply note the changes that have occurred since his last time there.

Who is the composer of the Curious Incident of the dog?

Prior to his work on The Curious Incident of the Dog in the Night-Time, Michael worked as the composer for Penn State’s radio drama production of Shakespeare’s Romeo and Juliet, and as the season sound designer and mix engineer at Ozark Actors Theatre (AEA) in Rolla, Missouri.